To provide a common baseline of evaluation, the following are examples of irony in architecture.
The Glass Farm in Schijndel, Netherlands, by MVRDV appears to be a brick farmhouse in the market square of a small Dutch town, however, it is actually a glass building with images of farmhouses printed on each surface of the façade. “This concept can be seen as a contemporary response to retro-architecture whilst respecting the public's wish for vernacular authenticity” (Frearson, 2013). Moreover, the images are printed in a larger scale representing the continued growth of the town. "When adults interact with the building, they can experience toddler size again, possibly adding an element of nostalgic remembrance to their reception of the building” (Frearson, 2013). To make the building more engaging, the actual windows and doors do not line up with the printed images. When people pass through the entrances, it looks like they pass through brick walls and windows appear as semi-transparent blobs.
Another example is Kalkin Residence by architect Adam Kalkin. He bought an 1880s country house, built an industrial shed around it and cut out the form of a gable on one façade with glazing. The original house became the interior. Many of the functional elements of the original house have become decorative under the new perspective. For example, the roof no longer provides the shelter. Architect and writer Sam Jacob commented that this project explores the relationship between interior and exterior from an alternative angle. He pointed out the irony of Kalkin’s use of containers, “Kalkin sees the containers as narrative device, as well as simple and effective means of enclosure…You can look at them both as junk or as something special” (Long, 2008, p.32).
Long, K. (2008). Hatch: the new architectural generation. London: Laurence King.